access to cinema for deaf

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No special calls need to be made, no extra time allowed for staff to figure out the device, no counting of devices available and checking that everyone who needs one will have one. I personally believe that by asking one independent local cinema to trial screening open captions could result in others cinemas following their lead. Do we just go home again? Deaf and hard of hearing people want to participate in all of this. This will get hearing audiences progressively used to these whilst expanding what you offer audiences who rely on captions. We want to chat with our friends about the current movies, not watch them later when no-one is talking about them any more. Change ), You are commenting using your Twitter account. Helen explains how SQIFF integrates access across their organisation and events, making this integral to their work from the very start. The device extends on a flexible arm from the drink holder, and often sags – it is difficult to position it ‘just so’, allowing the viewer to see the captions and the movie. For those more beholden to external interests, there is massive scope for a change in culture and mindsets towards Deaf and Disabled access. A 2013 survey of the deaf community who had used it did not reveal a single satisfied customer. We deserve access, just like everyone else. There is also a social stigma associated with open captions – there is a belief that hearing people do not like them and won’t go to see a movie if it is screened with open captions. Sign up to our mailing list to receive our latest blog posts directly to your inbox. We want: Once we are open to the idea of coming to the cinema, ensure there aren’t any further barriers to stop us. Interesting question… we don’t do the hearing impaired subtitles at all. They don’t cost extra – they are simply a part of the package. No-one needs to explain to the staff what the device is. I didn’t know it was common for people with autism to follow movies better with captions, but it makes sense.

How to respond positively to any non disabled audience members who complain about your accessible screenings. How do we make sure the cinema is open to everyone? Are there hearing loops? The device goes in the drink-holder of the user’s seat, which means there’s nowhere for the user to put their drink. 5 ways to make your venue more accessible for D/deaf people. My knowledge, perceptions and expectations of accessible cinema have changed overtime and are still changing. Bermondsey If writing an email is too much for you, you could simply share this post on Facebook. Exhibitors might also acknowledge the disbelief of Disabled activists that such big efforts are being made to move everything online when many people have been cut off for years through the need to stay home without being offered such accommodations. They are the ones who know best what is required and how you can implement improvements. It is a great source of frustration to my partner and son that they cannot go to the movies with me. Providing access can be inconvenient to those who don’t need it – for example, it costs more to build a wheelchair accessible bathroom than one that doesn’t accommodate wheelchairs. Maybe this is the year that ’senior management’ will respond to our request. Six years ago, the then big four cinema chains in Australia applied for an exemption from the Disability Discrimination Act. With an ageing population, this figure is set to increase to 1 in 4 by 2050, and we also have the advent of the ‘iPod’ generation. The NAD has long advocated for caption access in movie theaters. London SE1 3HA, Registered in England and Wales. Courses are designed without access in mind, and when we want to attend, it’s a struggle for us to convince educators to accommodate us. For example, start by introducing image descriptions, then work on using Simple English, followed by introduction of access symbols. Then the people who have come with me have the really awkward decision to make of whether to abandon the movie out of solidarity with me, or whether to fulfil their night and watch it without me. Unfortunately, the community consultation process for this was largely missed, with just one tokenistic demonstration in May 2010, and no consultation with targeted audiences or real trial of the ‘new technology’ before it was rolled out. Access does not depend on staff members knowing how to use a device. There is a lot to say around employment practices, discrimination, and privilege but perhaps useful to ponder is how, for example, someone who is Deaf and needs captions or BSL would build up the interest and experience to apply for film exhibition jobs in the first place if these basic provisions are absent from the majority of events. There is no eye-strain involved. On another visit to a different cinema, I experienced better customer service. Gradually increase the percentage of films you screen with captions. Our programming emphasis is on queer-made work, which tends to – albeit for less than optimum reasons – not include bigger films with more money and prestige at stake. Another problem with the system is that most cinemas do not advertise which movies/sessions have closed captions available, so someone who wishes to see a movie with closed captions generally needs to contact the cinema directly to ask, and then the information they receive is dependent on staff knowledge. We are tired of missing out. We don’t live in such a world and … As a result they have to sit rigidly in a single position for the entire movie, resulting in a stiff neck, sore back and headaches. The user needs to focus their eyes back and forwards between the device (close) and the screen (far) resulting in sore, tired eyes and headaches. Develop a standard of checking if captions and AD are available for every film you select or book for your programme. 151-153 Bermondsey Street Alice: Why not show captions, if you don’t mind me asking, please? Cinema and Film. Wheelchair access is often treated as the first and last access consideration but there are many other fundamentals. We’ve recently been adapting our submissions viewing and programming methods beyond just taking into account captions and AD. 1109053. They can snuggle with their partners and adjust their position as they wish throughout the movie. Rennie: As I said before, I’m not the one to be talking to about this. in areas where staff will be communicating with customers, reduce background noise and keep it well lit so we can see you. At the least, recording these components at the stage of viewing a film for possible selection means you have a ready database of relevant info that can be advertised when publicising events, making it easier for audiences with particular conditions to navigate your events. It provides listings for subtitled and audio-described showings of films – at your local cinema, or at least one of the nearest cinemas. Let’s try going from the bottom up instead.

Going to the movies is a popular, important leisure experience for Australians. At times the device squeaks and creaks, embarrassing the user and annoying other movie-goers.
1109053. That was until Stagetext came along, providing text-based access to arts and culture for deaf, deafened and hard of hearing audiences. Another great resource for the industry comes from Inclusive Cinema – a UK-wide project developed by the BFI Film Audience Network (FAN) to support screen exhibitors. The very articulate Karen McQuigg wrote an article about whether or not we should, as a society, be attempting to include deaf people. It’s important to mention there is no substitute for employing people with lived experience of accessing arts events as Deaf or Disabled folks. Thanks to a swell of interest and outrage on Facebook, this issue is now capturing the attention of the media. Unlike CaptiView, which provides closed captions that are only visible to the person with the device, open captions are displayed on the screen, where everyone in the cinema can see them. I would be more than happy to talk to you about this, as it has become apparent that the closed caption files, which some of the larger cinemas use through CaptiView units, can also be projected onscreen, by switching it on through the software. Budgeting for SQIFF involves integration of access concerns across all areas. When the device doesn’t work (which is often), the user needs to fetch a member of staff, who then comes into the cinema and attempts to whisper to them in the dark, which is not an environment that facilitates good communication with people who have a hearing loss. Alice: I’m talking about people who are deaf, not blind! Any equipment/technology you have, who it might benefit, how its used and where its kept. The number of people who can view closed captions in a single movie session is limited by the number of devices the cinema can access. Keeping in touch with us helps you to grow and develop your D/deaf audiences. Some come with neither. Caption Access in Movie Theaters.

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