CJ Entertainment is Korea's leading entertainment company, with a business that encompasses film production, investment, distribution, and exhibiton. CJ Entertainment’s sister company CJ-CGV is one of the world’s top-five cinema-owners, with market-leading theater operations in South Korea, Vietnam and Turkey, and significant circuits in Indonesia and China. The new approach became tangible in 2018 when CJ put two English-language pictures into production — “Endings, Beginnings” by Drake Doremus and “Hide & Seek” by Joel David Moore… var sproutencodeemailRot13 = sproutencodeemailRot13String.replace(/[a-zA-Z]/g, function(c){return String.fromCharCode((c<="Z"?90:122)>=(c=c.charCodeAt(0)+13)?c:c-26);}); Yoonhee Choi, Director, Int'l Sales From 2007 onwards, CJ Entertainment was the Korean distributor for films by Paramount Pictures, including films by DreamWorks which was bought by Paramount, as Universal Pictures had taken over the Korean branch of its joint venture with Paramount, United International Pictures. But now it is stepping up, and working from a base in Hollywood, to build a slate of global titles. Now, we focus on those English-language films that have potential also in Asia. “In some cases, we’ll go ahead and make the film, fully financing it ourselves with the aim to sell to a studio.
document.getElementById("sproutencodeemail-5f7b94c2682880.32175003-1").innerHTML = We did not find a single one that was meaningful. In 2016, we revamped our U.S. business and began aggressively focusing on financing, development and production ourselves.”. We also dabbled a bit by financing and co-producing small indie pictures, but the big breakthrough came with ‘Snowpiercer.’ Of all the remakes that we’ve sold over the years, not a single film has yet to be released or even produced. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. James Seo. 17th Fl., CJ E&M Center66 Sangamsan-ro, Mapo-guSeoul 121-904 Since then, CJ Entertainment operates as a company under CJ E&M.[4]. Making English-language content for global consumption is the next target for CJ Entertainment, the studio behind Bong Joon Ho’s Palme d’Or-winning Korean-language hit “Parasite.”. Read Next: Small-Town Theaters Face Bleak Future Without New Movies: ‘We Desperately Need Help’, Led by BTS, ‘Parasite,’ ‘#Alive’ and More, South Korea’s Entertainment Biz Is Taking the World by Storm, Coronavirus Shakes Up Australia’s AACTA Awards, Thomas Jefferson Byrd, Actor in Spike Lee Films, Killed in Atlanta, Led Zeppelin Wins 'Stairway to Heaven' Copyright Battle as Supreme Court Refuses to Hear Case, ‘Saturday Night Live’ Starts Season 46 With Alec Baldwin and Jim Carrey Recreating the Presidential Debate, Why ‘Tenet’ Was the Wrong Movie at the Wrong Time (Column), ‘The Witcher’ Season 2 Gets First Look at Henry Cavill’s New Armor, ‘Mean Girls’ Cast Reunites After 16 Years to Encourage Voting, Denis Villeneuve’s ‘Dune’ Delays Release Date, ‘Schitt’s Creek’ Season 6 Arrives Early to Netflix, Cineworld Could Close All Regal Cinemas, U.K. CJ had already been distributing DreamWorks films for nearly a decade as a result of investing in the studio. It holds the highest market share among the distributors at 27.8 percent. Action/Adventure | English, Korean | 114 minutes | 2018, Action/Adventure | Korean | 13 minutes | 2011, Action/Adventure, Drama | Chinese, Japanese, Korean | 6 minutes | 2011, Action/Adventure | Korean, Vietnamese | 2016, Action/Adventure, Comedy | Vietnamese | 2016, Action/Adventure, Thriller | Korean | 2014, Action/Adventure, Drama | Korean | 98 minutes | 2014, Action/Adventure, Drama | Korean | 108 minutes | 2013, Action/Adventure, Drama, Science-Fiction | English, Korean | 125 minutes | 2013, Drama, Romance, Thriller | Korean | 110 minutes | 2013, Action/Adventure | English, Korean | 121 minutes | 2013, Action/Adventure | Japanese, Korean | 2 minutes | 2014, Action/Adventure | Korean | 113 minutes | 2012, Drama, Thriller | Korean | 109 minutes | 2012, Action/Adventure, Comedy | Korean | 115 minutes | 2011, Action/Adventure, Drama, Romance | Korean | 120 minutes | 2011, Action/Adventure, Science-Fiction, Thriller | Korean | 101 minutes | 2011, Action/Adventure, Animation | English | 2011, Action/Adventure, Romance | English | 97 minutes | 2011, Action/Adventure, Thriller | Korean | 2010, Action/Adventure, Drama | Korean | 119 minutes | 2010, Comedy, Drama | Korean | 100 minutes | 2009, Comedy, Drama | Korean | 104 minutes | 2009, Drama, Romance | Korean | 105 minutes | 2009, Drama, Thriller | Japanese | 139 minutes | 2010, Science-Fiction | Japanese | 112 minutes | 2009, Comedy, Drama | Japanese | 97 minutes | 2009, Romantic Comedy | Chinese | 107 minutes | 2009, Action/Adventure, Drama | Korean | 107 minutes | 2009, Comedy, Drama, Mystery | Korean | 100 minutes | 2009, Romantic Comedy | Korean | 113 minutes | 2008, Drama | English, Japanese | 115 minutes | 2008, Action/Adventure, Comedy, Western | Korean | 130 minutes | 2008, Comedy, Drama | Korean | 102 minutes | 2008, Action/Adventure, Drama | Korean | 123 minutes | 2008, Action/Adventure | Korean | 112 minutes | 2007, Drama, Romance | Korean | 114 minutes | 2009, Action/Adventure, Thriller | Korean | 118 minutes | 2009, Romantic Comedy | Korean | 110 minutes | 2008, Action/Adventure | Korean | 134 minutes | 2008, Action/Adventure | Korean | 127 minutes | 2008, Drama, Thriller | English, Korean | 87 minutes | 2007, Action/Adventure, Drama, True Story | Korean | 125 minutes | 2007, Psycho-Drama, Thriller | Korean | 103 minutes | 2007, Action/Adventure | Korean | 139 minutes | 2006, Action/Adventure | Korean | 30 minutes | 2006, Action/Adventure | Korean | 147 minutes | 2006, Action/Adventure | Korean | 140 minutes | 2006, My Way (Promo) / Soar Into the Sun (Promo). CJ Entertainment's importance in the Korean film industry grew in 1997–1998 when the nation was caught in the wave of the Asian financial crisis. Music, romance, romantic comedy and horror are the strongest English-language genres in our territories,” Kodd added. It has the capacity to self-finance the slate, but may choose to partner with U.S. entities for strategic reasons. [3], In 2010, CJ Entertainment was merged with CJ Media, M-net Media, On Media and CJ Internet to form the entertainment & media subsidiary CJ E&M. The U.S. is our next anticipated market as we continue to build our company into a global studio,” says Jerry Ko, CJ’s head of international. In other words, our biggest asset in comparison to other Hollywood companies is our knowledge of what works and what doesn’t in Asia along with our relationship with Asian talent,” said Ko. “We’ve successfully launched our local production business in various countries [including Indonesia, Thailand, Vietnam and Turkey]. “We began our U.S. business in 2006, starting by selling remake rights of our films to studios. In April 2000, CJ Entertainment Inc officially founded. The company operates as a film production company, film publishing house, investment and exhibition. The division's later changed to CJ Entertainment in September, in time for their first film distribution deal with the movie Secrets and Lies. The success of their own films, most notably Joint Security Area that broke the Korean box-office records previously set by Shiri, helped the company grow into one of the two largest film companies in the country along with Kang Woo-suk's Cinema Service. As July 2018, CJ Entertainment's parent company CJ E&M merged into new company CJ ENM as a result CJ Entertainment operates under the new company since then. sproutencodeemailRot13; Main article: List of CJ Entertainment films. This year it backed “Press Play” by Greg Bjorkman. “We realized that we need to differentiate ourselves in a competitive market where even big studios often struggle. Korea, var sproutencodeemailRot13String = "
Oldboy (2003) Memories of Murder (2003) Mother (2009) Sympathy for Lady Vengeance (2005) Sympathy for Mr. Vengeance (2002) Thirst (2009) The Man from Nowhere (2010) The Good, The Bad, The Weird (2008) Oasis (2002) “In the past, we went to Hollywood asking for scripts for us to shoot in Korea, or to attach Korean talent to. Having already produced Bong’s “Snowpiercer” back in 2013, the company is no newcomer to English-lingo pics. View Website, EVP, Int'l Sales & Distribution They were usually scripts passed by other companies. CJ Entertainment (Hangul: CJ 엔터테인먼트) is a South Korean film production and distribution company under CJ ENM. And, while it will continue to sell remake rights to studios, it intends to remain attached as lead producer. “However, as the business grows and becomes more stable, we’ll ultimately have the U.S. office act on its own. 13.2k Followers, 280 Following, 1,041 Posts - See Instagram photos and videos from CJ Entertainment USA (@cjent_usa) To aid their position in the film distribution industry CJ Entertainment built the first multiplexes of Korea with the first one, CGV Gangbyeon 11, opening in April 1998.
Jay Kim, SVP, Int'l Sales "Cj E&M Corp (130960:Korea Exchange – KOSDAQ)", "Korean Box Office Cracks $1 Billion in 2010: Admissions were down almost 10 percent despite a 6.5 percent rise in revenue", "CJ rises as beacon of Korean food, shopping, pop culture", https://en.wikipedia.org/w/index.php?title=CJ_Entertainment&oldid=981699180, South Korean companies established in 2000, Creative Commons Attribution-ShareAlike License, Jinnie Choi (general manager/head of contents), This page was last edited on 3 October 2020, at 22:28. Venues in Response to ‘No Time to Die’ Delay, Regal, Cineworld Confirms Temporary Suspension of U.S., U.K. Operations, Megan Thee Stallion Delivers Powerful 'Protect Black Women' Statement on 'SNL', The 10 Best ‘Gilmore Girls’ Music Moments, Taylor Lautner Buys Striking Agoura Hills Mansion, Trump’s Physician Seeks to Please Dear Leader, Avoids Informing Public, Gucci and The RealReal Team Up for a Luxury Consignment Shop to Support Sustainability, Barstool CEO Erika Nardini Named To WWE Board of Directors, Eddie Bauer Celebrates 100th Anniversary With a Stylish New Jacket (And It’s Going To Sell Out Fast). But, clearly as a company with financial resources and its own IP portfolio, CJ is well-positioned to take advantage of the current golden era for content creators.
The new approach became tangible in 2018 when CJ put two English-language pictures into production — “Endings, Beginnings” by Drake Doremus and “Hide & Seek” by Joel David Moore. One of those [differences] is being able to leverage the platforms and businesses that we are already good at, such as distributing and producing in Asia,” said Ko.
“With that infrastructure in place, we are able to focus on English-language films that have potential in Asian markets as well. “We are also very open to working with streamers. During early 1995, Cheil Jedang invested in the upstart film company DreamWorks SKG, and in June of the same year, Cheil Jedang established Multimedia Division. “Currently, we have a U.S development and production team that is split between Korea and the U.S., with Korea acting as the ultimate decision-maker, as well as being the provider of Asian IP and talent,” said Ko. Ko says that the structure of the company will evolve and soon be scaled up. Now we are moving forward to produce films that can be widely released in the global market. Salut d'Amour (film) Scarlet Innocence; Sector 7 (film) Seondal: The Man Who Sells the River; The Servant (2010 film) Seven Years of Night; Silenced (film) Small Town Rivals; Socialphobia; Solace (2006 film) The Sound of a Flower; Spellbound (2011 film) The Spy Gone North; The Spy: Undercover Operation; Steel Cold Winter; Sunny (2011 film) Svaha: The Sixth Finger; Sweet 20
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