dirty rotten scoundrels medusa

That twist worked in “Dirty Rotten Scoundrels,” with would-be victim Janet (the wonderful Glenne Headly) pulling one over on the men in a satisfying turn, but here the women getting one-upped by a bro is just another false note in this tone-deaf karaoke performance. Parents need to know that Dirty Rotten Scoundrels (a remake of 1964's Bedtime Story) is a 1988 comedy in which Steve Martin and Michael Caine play dueling con men competing to swindle an American heiress. In DIRTY ROTTEN SCOUNDRELS, Steve Martin and Michael Caine compete in a battle of sleazy shysters who make their money by conning rich, vulnerable women. Wondering if Dirty Rotten Scoundrels is OK for your kids? However, Penny can’t be gotten rid of so easily, and the two women end up competing to see who can bilk hoody-wearing tech millionaire Thomas Westerburg (Alex Sharp) for half a million dollars first. Frances McDormand lifted the best actress award for her role as the heavily pregnant Minnesota police chief who hides a razor-sharp mind behind her congenial, homely persona. The Hustle tries to parade its feminist credentials. Where Freddy is sleazy, Lonnie is bumbling; where Freddy finagles freebies out of his marks, Lonnie mostly just confuses them or keeps talking until they give up. Common Sense and other associated names and logos are trademarks of Common Sense Media, a 501(c)(3) nonprofit organization (FEIN: 41-2024986). Anne Hathaway and Rebel Wilson star as con artists in this dismal remake of Dirty Rotten Scoundrels.

Alec Guinness famously played eight roles in this very dark comedy of manners and is of course, brilliant, but he is matched all the way by a marvellously urbane and detached Dennis Price as the serial killer who calmly murders his way to a dukedom. Create a commenting name to join the debate, There are no Independent Premium comments yet - be the first to add your thoughts, There are no comments yet - be the first to add your thoughts. Please continue to respect all commenters and create constructive debates. The most insightful comments on all subjects will be published daily in dedicated articles. All they did was switch out Michael Cain for Ann Hathaway and Steve Martin for Rebel Wilson; oh, and naturally the main con artist wasn't a female "The Jackal" this time but the male son of "Medusa" instead. Join now. It’s the season of the hipster grifter (one of whom, Anna Sorokin, was sentenced to 12 years in prison Thursday) and a government obsessed with doing all the crimes itself, so you’d think it’s the perfect time for a goofy comedy about two savvy, sexy con women, right? “The Hustle” is a beat-for-beat remake of its predecessor, following each plot point of “Dirty Rotten Scoundrels” all the way through its conclusion, but with none of the humor intact. Needless to say, the swindlers get their comeuppance, the scammers become the scammed, and the story ends with yet another hoax in the offing. How does this movie mine laughs out of iffy behavior?

Wilson is fine, though the script relies too heavily on the concept that she’s an unattractive troll rather than how naturally funny she is at both physical verbal comedy elsewhere. There’s a scene in “The Hustle” where Hathaway’s Josephine feeds Wilson’s Penny a cracker that she’s just swabbed inside the rim of a toilet. We don’t learn the cause of Penny’s supposed hysterical blindness, and no one within the film seems too concerned with it either. One reference to "making love." A Jewish boy (Charles Grodin) marries a gauche young woman in haste (Jeannie Berlin) and decides to end the marriage when he falls for and woos alluring blond goddess Cybill Shepherd whilst on honeymoon, to the uncomprehending disbelief of Shepherd’s Wasp father, Eddie Albert. The former, Lonnie, is a small time hustler who tricks her targets into giving her money for cosmetic surgery (fake boob jobs) or for saving her (non-existent) sister from sexual slavery.

It is a film that has to be watched time and time again to marvel at how Kubrick finds humour in an unthinkably horrific situation and if anything, this devastating and timeless cold war satire has improved with age and is just as relevant today.

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