Or I will start killing people and throwing bodies out the door.” Another fact is that CAA is actually part of this seven-year-old action in no small part because of the packaging deal it wove a decade ago around the creation of the series based on the comics of now CAA client Robert Kirkman.
Now, as AMC made sure the world knew with a salacious document dump in 2017, the fact is that Darabont did let loose in the early early days of TWD with digital salvos telling people they “better wake the f*ck up and pay attention. The news of Frank Darabont stepping down from AMC’s hit series The Walking Dead took everyone by surprise. The Walking Dead, however, represented Darabont's first major TV project and the pairing seemed like an ideal fit. “They see the writing on the wall and are now trying to keep out damning evidence like Frank Darabont’s abusive emails and the conflict of interest at the heart of CAA’s packaging fees,” the eminently quotable attorney added. “Admitting this evidence would also turn this trial about Defendants’ breach of contract into a series of irrelevant and time-consuming ‘mini-trials’ about, among other things, how well-liked Darabont was by the cast and crew – many of whom only agreed to work on the series because of Darabont – and about the practice of agency packaging,” CAA and Darabont’s high-powered legal team continue in their own 26-page filing about the admission of the emails and the WGA conflict.
That $2.75 million budget is where it's hovered ever since, despite a massively inflated cast and, for a while at least, massive ratings. Another fact: While AMC wants the juicy Darabont stuff in the big-bucks case in one motion, in another, about internal company compensation documents, the Josh Sapan-run organization seeks to keep everything rather frank, pun intended. This feeling grew even more when it was revealed that Darabont didn’t step down, but was actually fired. It was an immense relief to me.". “Plaintiffs’ case is heading to defeat,” Snyder told Deadline this morning as the various motions hit the NY Supreme Court docket. Season 1 of AMC's zombie drama was written and produced by veteran filmmaker Frank Darabont, who had pitched the show to HBO before AMC snapped it up. “I am in a state of boiling rage right now,” Darabont wrote in a 2011 email to Executive Producer Gale Anne Hurd, referring to issues he had with the first episode of the second season. Interestingly, the lawsuit also claims that Darabont's contract had him locked-in as an executive producer for as long as The Walking Dead ran and also afforded him the opportunity to be involved in any spinoffs. DeMunn had worked with Darabont several times previously, and when he heard that he was making a zombie show and Darabont wanted him to join he jumped at the opportunity.
Look no further than the show The Walking Dead has become to see exactly what he was trying to avoid. "The writing in the beginning was just amazing, as was that original cast," DeMunn added, making a not-so-subtle jab at the quality of writing on the show today. Even if AMC was trying to do what’s best for the network (without having to operate at a loss – something that HBO does, but is evened out by HBO being owned by Time Warner), there comes a point when taking a loss for the quality of the product is more important for the long term.
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