It’s 1962. What’s pleasantly surprising is how well he’s matched by Theron.” Read the full review. Niet genoeg aan deze top 100?
“What is it to be human?” asks Michael Stone (Thewlis). It’s a rousingly nasty, bleary, hungover punchup.” Read the full review. CC Read the review, A beautifully shot observational documentary about the continuing humanitarian crisis in the Mediterranean: the lethally dangerous boats that carry refugees from Africa and end up on the Italian island of Lampedusa. Sustained intensity … Victor Polster in Girl. In her feature debut, Unrelated, Kathryn Worth played a fortyish woman holidaying in Tuscany with two dysfunctional families and flirting outrageously with one of the lads (Tom Hiddleston in his first movie). Reinaldo Marcus Green’s tough drama follows the fortunes of three young African American men who find their loyalties divided and their futures in peril. Edna Mode, fashion designer to the supers, is an utter delight: “This is a hobo suit, dahlin, you can’t be seen in it!” CC Read the review, Lynne Ramsay didn’t soften the blows adapting Lionel Shriver’s bestselling novel about a Columbine-style high-school massacre. Samuel Maoz’s fierce nightmare vision of Israel, where loss and pain are randomly distributed, offers an urgent and witty picture of futility. Thai master Apichatpong Weerasethakul’s hypnotic experimentalism has never been bettered; sorry, Uncle Boonmee. CS Read the review, Israeli soldier-turned-film-maker Ari Folman’s film is a kind of animated companion to Apocalypse Now, a hallucinatory statement about the trauma of conflict and the madness of war.
Am I with the right person? Victor Polster is outstanding as a 15-year-old trans girl auditioning for ballet school in Lukas Dhont’s intense, emotional drama.
CS Read the review, Hubert Selby Jr’s lacerating novel that lasers in on the exhilaration and tragedy of addiction is given expansive, stylish treatment by the then-emerging director Darren Aronofsky. In the most exhilarating scene, the daughter of a regional governor (Ziyi Zhang) goes sword-to-sword with a famous warrior (Chow Yun-fat) in the branches of bamboo trees swaying high above the ground. Yet the Italian writer/director/star performs miracles making a movie so wrenching also so hopeful.
Chow (Tony Leung) and Li-zhen (Maggie Cheung) move in next door to each other in a cramped Hong Kong block of flats. At various times, it resembles Roman Polanski’s Repulsion, Charlie Kaufman’s Synecdoche, New York and Alan Parker’s Fame.
What we said: “There is something very authentic in some of this film’s incidental details. Jordan Peele’s follow-up to Get Out is a superb doppelganger chiller that skewers the American dream. Read the full review. What we said: “A mother-daughter story with the erotic intensity of a love story and the pathos of a coming-of-ager – though darker, messier and more unresolved than is traditional.” Read the full review. AP Read the review, Twelve years in the shooting, Richard Linklater’s story of a child’s life between six and 18 is a vindication of artistic ambition in an age of cinematic snacking. This sly and subtle debut from Bo Burnham boasts an astonishingly good performance from Elsie Fisher as a shy teenager struggling with growing up in the internet age. Spun from her first novel, Lady Susan, this is the tale of an epically bitchy and ambitious widow upending her nearest and dearest. Sandra Bullock is the rookie astronaut with George Clooney by her side, a living, breathing Buzz Lightyear. Read more. CS Read the review, Iranian director Abbas Kiarostami had already proved himself a master in the late 20th century; this simple but effective piece – featuring a woman driving different people around Tehran – proved he could do it in the 21st. CS Read the review, Seth MacFarlane’s brief ascent to the Hollywood firmament was down to this scabrously funny talking-bear farce, which helped reinvent the grossout comedy. After Amy and Senna, Asif Kapadia tackles someone still alive in this gripping study of football, euphoria and catastrophe. We tend to think of the latter type of juvenile emancipation as the province of overprivileged westerners, but director Nadine Labaki makes it work in the toughest of social circumstances: a 12-year-old, living in the Beirut slums, takes steps to deal with his parents’ neglect.
Their leader is show-offy Stephen Meek (Bruce Greenwood), but Reichardt’s focus, as is customary for her, is on the women – a trio played by Michelle Williams, Zoe Kazan and Shirley Henderson. AP Read the review, An extraordinary documentary about the wave of barbaric killings that swept Indonesia in the mid-60s. https://www.theguardian.com/film/2019/jun/06/best-films-of-2019-so-far CC Read the review, The Dardenne brothers’ second Palme d’Or was bestowed on this stark portrait of underclass desperation, filmed in their characteristic hyper-naturalist manner.
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Set in post 9/11 New York, Anna Paquin is an overentitled teenager partly responsible for a tragic accident. Actie Animatie Avontuur Biografie Cabaret Documentaire Drama Familie Fantasy Historisch Horror Kerst Komedie Korte Film Misdaad Muziek Mystery Oorlog Roadmovie Romantiek … Scarlett Johansson and Adam Driver excel as a couple caught in the storm of an increasingly vicious – and often hilarious – separation in Noah Baumbach’s bittersweet heartbreaker. The film Paolo Sorrentino was born to direct and Toni Servillo born to star in didn’t quite live up to that billing, but this Silvio Berlusconi biopic is still a masterly and fascinating take. It’s the start of the kid’s prison education. Ali Abbasi’s dark drama focuses on transgression and taboo as two troubled people living on the edge of society develop a strange friendship. Daniel Day-Lewis gives perhaps the greatest, certainly the most exotic performance of his career as an oil prospector in the early 20th century, rewarded with colossal wealth that never gives him the smallest pleasure. Tom Burke and Honor Swinton Byrne star in Joanna Hogg’s most personal and intimate drama to date: the extraordinary and excoriating story of her first major romance. AP Read the review, Sofia Coppola’s second feature stands up: utterly distinctive, wildly romantic and fleetingly queasy.
Read the full review. A race satire that skewers beautifully, it’s also a chilling comedy, a proper horror and 104 minutes of complete entertainment. CS Read the review, Kathryn Hahn and Paul Giamatti struggle to start a family, and to keep their marriage together, in this subtle, funny and often wondrously uncomfortable Netflix comedy written and directed by Tamara Jenkins.
What we said: “It has felt like Will Smith’s mojo really is trapped inside a lamp, after what seems like a decade of miserable and self-important ‘serious’ roles which reached their nadir with After Earth and Collateral Beauty. An immensely tender and precarious documentary following three Mexican brothers as they juggle their work with the care of their 93-year-old grandmother.
When a storm of debris hits the pair, a terrifying fight for survival ensues. CC Read the review, Lars von Trier’s Brechtian parable about coercive capitalism remains arguably the Danish provocateur’s masterpiece. Where did my life go? AP Read the review, Steven Soderbergh is the Renaissance man of American cinema, and this intricately crafted heist movie – remade from the old Frank Sinatra chestnut – shows him on never-bettered, commercially minded form. It’s set in rural Turkey where officials are spending the night driving a murder suspect around looking for a body. What we said: “There’s hilarious voice-work artistry, ceaselessly inventive pop-culture riffs, eyeball-popping graphics and a 107-minute nonstop gag-storm of a screenplay from Phil Lord and Christopher Miller.” Read the full review.
In watching the bonafide progress of Ellar Coltrane – as well as Patricia Arquette and Ethan Hawke as his parents – Boyhood provides its audience with an intimacy and an investment like no other. Charlize Theron’s restrained politician falls for Seth Rogen’s outlandish journalist in a crowdpleasing comedy. Read the full review. Number 91 was amended to correct a misspelling of the last name of Nicolas Philibert as Philbert. The film’s climax is the massacre of Palestinian refugees by Christian Phalangists at the Sabra and Shatila refugee camps. Kenneth Branagh is a late-stage Shakespeare and Judi Dench his long-suffering wife in Ben Elton’s witty, melancholic study of regret and homecoming. Read more. Read the full review. What we said: “There is passion and compassion here, and Labaki’s film brings home what poverty and desperation mean, and what love and humanity mean.” Read the full review. After that, it’s complicated, with a flight into magic realism or perhaps even reincarnation. AP Read the review, The Coen brothers don’t really do personal, but this is as close as they’ve got (so far). Barry Jenkins’s sumptuous adaptation of the James Baldwin novel is an emotionally overwhelming hymn to the power of love and the burn of injustice. Mark Wahlberg is great as the straight man to the foul-mouthed toy of the title, with Mila Kunis as his censorious fiancee.
What we said: “I liked the long scenes of winter drear, as William and Anne huddle together in a corner of a dark room, flickeringly lit by firelight like a cave.” Read the full review.
Read the full review. PB Read the full review. Read the full review. What we said: “McEnroe makes a fascinating focal point.
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