hampstead theatre wonderland review guardian


Writer                         Beth Steel, Designer                    Ashley Martin Davis, Lighting                      Peter Mumford, Sound                         Matt Mckenzie, Bobbo                                                     Nigel Betts, Colonel                                                   Paul Brennen, David Hart                                              Dugald Bruce-Lockhart, Spud                                                        Gunnar Cauthery, Nicholas Ridley                                     Paul Cawley, Ian Macgregor                                      Michael Cochrane, Jimmy                                                      Ben-Ryan Davies, Peter Walker                                         Andrew Havill, Malcolm                                                 David Moorst, Fanny                                                      Paul Rattray, Milton Friedman/Chief of Police       Andrew Readman, Tilsley                                                      Simon Slater. She's the daughter of a Nottinghamshire coal miner, who still works underground but whose pit is facing closure, and she had just spent two and a half years writing the play.

YOUTH THEATRE WITH CREATIVE MULTILINGUALISM, WONDERLAND LIVESTREAM: ★★★★ FROM THE ARTS DESK, Wonderland, Hampstead Theatre online review - a major play about the miners. She grins: "Of course it was a total Harrower rip-off.
Paul Brennen as a pitman with a ferocious belief in the group ethic, Gunnar Cauthery as a reluctant strike-breaker, Andrew Havill as the emollient Walker and Dugald Bruce-Lockhart as the forgotten figure of David Hart, a Cowardesque smoothie deployed to subvert the miners’ unity, are all excellent. Wonderland. Review Mark Courtice @Reviewsgate

She left school at 16, went to Greece to model fur coats in 40 degrees and ended up running a boutique there until she was 21. "I read it over and over, and I read other articles about art and museums, and I started thinking to myself that I'd never been to an art gallery or museum, and it made me curious. 4****.

Streaming 28 & 20 August 2020. Not," she adds hastily, "that there's anything wrong with Black Watch. It's a massive, meaty drama, which begins with economist Milton Friedman expounding his theory of monetarism and then quickly moves underground to the harsh realities of the coal face and the lives of men who in the space of the year went from being the nation's "salt of the earth" to being denounced by Margaret Thatcher's government and newspapers as "scum". Others might have slunk away, but Steel set out to write Wonderland. Hampstead Theatre and The Guardian will re-release the live stream recordings of Mike Bartlett’s Wild, Beth Steel’s Wonderland and Howard Brenton’s Drawing the Line for free.. It made me realise that I had to write a play that screams into the present and isn't just a cosy headstone on something that happened 30 years ago. I'd been adamant from the start that if there was one play about mining that I wasn't going to write, it was a play about the miners' strike." Wonderland review – Scargill, strikes, solidarity and scars By Michael Billington, Guardian. The Finborough on line now. BOX OFFICE: 020 7722 9301, © 2020 Hampstead Theatre| Registered Charity no: 218506. "Writing is like setting a bone. We work across the UK and in Ireland. BEYOND NW3.

4**** William Russell, The Adding Machine music by Joshua Schmidt, libretto by Joshua Schmidt & Jason Loeth. After tearing up the first draft – hard because she writes very slowly ("It doesn't come easy to me; every word has to be fought for") – her initial reluctance about writing about the strike began to evaporate the more she delved and read. Well, yes, it is, but I'm not ashamed to say it's political, too. Initially, the miners start with the advantage of a close-knit camaraderie: something vividly registered in Steel's portrait of a Nottinghamshire colliery where two squabbling apprentices are told never to forget that "down here, your life is always in another man's hands".

WATCH NOW, Bake Off fans - Lottie Bedlow used to work as our Line Producer from 2014 - 2017 and we can confirm her cakes are I… https://t.co/LbkJDxnR0a, We stand together in solidarity with the people of Belarus in their fight for freedom and democracy and join the ca… https://t.co/ujkaZCDFmQ, 6 plays, 6 weeks of epic drama. One should never judge a theatre by its sets, but just sometimes stage design provides a useful sign of intent. Here the battle is shown as between the shock troops of the Thatcherite revolution, Energy Minister Peter Walker and Coal Board Chairman Ian Macgregor (strong performances from Andrew Havill and Michael Cochrane respectively), and a group of miners from the Midlands. I bought a copy of it and studied it obsessively.

Wonderland. 'The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? It's about all those things, everything." Paul Taylor. People keep telling me that my play is personal not political. A Hampstead Theatre production. But individual dilemmas gradually emerge and there are strong performances all round. A mark of Hampstead Theatre’s high-flying confidence under artistic director Edward Hall is the hefty and complicated design that it has lavished on Beth Steel’s drama about the miners’ strike: a hydraulic metal pit cage moves up and down under a compelling infrastructure of overhead walkways. She pauses.

Thank you to all the artists - on & off stage - for allowing us to share your stunn… https://t.co/rFH4U09Tz6. After studies of the English civil war and the partition of India, it now brings us Beth Steel's re-creation of the miners' strike of 1984; and what is impressive about Steel's play is that, while her emotional sympathies are with the miners, she also shows how they were totally out-manoeuvred by the Thatcher government. But I knew what I'd done; I really believed in it.".

You can see why theatres might be wary of it. Edward Hall's production is so big it couldn't be rehearsed in Hampstead's in-house rehearsal room. Thank you to all the artists - on & off stage - for allowing us to share your stunn… https://t.co/rFH4U09Tz6.

© 2001 Reviews Gate. There’s an interesting creature called David Hart who runs dark operations for the government; this, despite Hart’s penchant for dressing up, is a subtle performance from Dugald Bruce-Lockhart. I just knew that I got it.

Maybe I just wasn't very adventurous in what I saw. Free. Initially, the miners start with the advantage of a close-knit camaraderie: something vividly registered in Steel’s portrait of a Nottinghamshire colliery where two squabbling apprentices are told never to forget that “down here, your life is always in another man’s hands”. I liked the life I was leading, but I wanted to know what this other life might be like, too. "There seems to be a bit of fear about politics on stage.

2**. MATT WOLF, THE ARTS DESK 'The talk is of an “economy in ruin [with] unemployment through the roof”: a précis of Britain in lockdown? And, just so you know, we never share your email with anyone. "It's a play about mining and miners, but it's a play that asks how did we go in such a short space of time from a country where we believed full employment was a good thing to one where for the market to operate it needs to have people unemployed because that keeps wages down and is good for the market? Wonderland. I couldn't stop. Until July 26 (020 7722 9301, hampsteadtheatre.com), ★★★ Regent's Park open-air theatre, until August 29, ★★★ Shakespeare's Globe, until October 17, ★★★ The Royal Artillery Barracks, Woolwich, until July 4, ★★★ Minerva Theatre, Chichester, until July 25, ★★★★★ The Lyttelton at the National, until August 20, ★★★★ Downstairs at the Royal Court Theatre, until July 18, ★★ The National's temporary theatre, until July 11, ★★★★ National Theatre, until September 30, ★★★ Theatre Royal Haymarket, until August 8, ★★★★ National's Olivier Theatre, in rep until Sep 20, ★★ Shakespeare's Globe, in rep until Sep 5, ★★★ Menier Chocolate Factory, until June 27, ★★★★, Duke of York's Theatre, until August 1, ★★, National Maritime Museum, until August 31, ★★★★, RSC Swan, Statford-upon-Avon, in rep until Sep 8, {{#singleComment}}{{value}} comment{{/singleComment}}{{^singleComment}}{{value}} comments{{/singleComment}}, No wonder technical issues caused the postponement of the original opening night.

Originally performed and live streamed in 2014 on The Guardian website, this unique recording of Wonderland returns as part of the Hampstead Theatre At Home series. But there is an immense sadness to the way strikebreaking severs old friendships. But the tourists left behind magazines, and in one of them she found an article about the late Sarah Kane.

6 th-12 th April 2020.. A Hampstead Theatre production.

Blue Print Medea & Continuity.

I just loved it. Originally performed and live streamed in 2014 on The Guardian website A play about how we got from then to now.". In fact, this is one of the many eerily apposite remarks to be found in Wonderland, the Beth Steel drama set in the early 1980s', 'And what a pleasure it is to be reacquainted with the muscular drama – the author’s second-ever play – that brought Steel a 2014 Evening Standard Theatre Award for Most Promising Playwright. "It began as a piece set in 2010 about a group of miners facing redundancy. Music and movement are interwoven into the bustling fabric of a production that finds everyone working at full tilt: how moving, too, to be reminded of the work of Scott Ambler, the dancer-turned-choreographer who died in 2018.'. Simon Slater’s music provides a plangent soundtrack of folk inspired songs.

She shakes her head.


Originally performed and live streamed in 2014 on The Guardian website. Once identified with domestic drama, Hampstead has lately become the home for big public plays.

Read our cookie policy here or accept to continue. The most politically resonant scene also shows a group of pickets being intimidated by the police en route to Orgreave colliery, leaving one of them to lament: "This is England.".

Photograph: Manuel Harlan, hen Beth Steel sent her play Wonderland to theatres for their consideration, one of them inquired whether she had seen. Rumour has it that Ashley Martin Davis's underground design confirms most pitmen's belief that "God was a miner".

It's miles away from shows such as Billy Elliot and Brassed Off, which foreground the human interest stories and minimise the politics. We use cookies (sadly inedible) to improve how our site works. He worried I wouldn't make a good job of it.

William Russell. Steel goes to great pains to show the physical danger of mining and the communal spirit it engenders. Here’s a snapshot of where our 2017 bookers came from in the UK. Godspell – the 50th anniversary concert. ReviewsGate is one of the longest running Reviews websites; it was started in 2001. She sent him an impassioned email and the Wonderland script. It feels lazy that the women here (except for Thatcher and Jan Leeming on the news) are just fodder for sexist banter or blamed for pressurising men to return to the pit. A sprawling new drama at Hampstead theatre explores how the 1980s industrial dispute changed Britain, Beth Steel's Wonderland: coalminer's daughter hits a rich seam in strike play, A massive, meaty drama … Wonderland.

Admirable hyperrealism … Wonderland at Hampstead theatre. Jacksons Lane Theatre, London & on tour. YOUTH THEATRE WITH CREATIVE MULTILINGUALISM, Writing Wonderland: An interview with Beth Steel. By failing to call a national ballot, Scargill leaves the way open for division within the coalfields: for her part, Thatcher plays a long game by stockpiling coal supplies and sanctioning an undercover agent to encourage the formation of a breakaway union. Wonderland is unlikely to change your views on the sobering events of 1984-85, but it serves as an eloquent reminder of the year’s importance. It was hugely promising, but the reviews were lukewarm. Wednesday 02 July 2014 17:12.

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