https://www.encyclopedia.com/movies/dictionaries-thesauruses-pictures-and-press-releases/porter-cole, Yeck, Joanne L. "Porter, Cole
Contemporary Musicians. that he get her the movie part. 11 Aug. 2020
. Postal Service. Beginning in 1930, and for more than a quarter of a century thereafter, no Broadway season seemed really complete unless it had a musical with Ethel Merman. Howard, Jean, Travels with Cole Porter, New York: Abrams, 1991. ."
with the clarion voice, brash personality, shrewd comic sense and steel nerves was the darling of such master songwriters as George Gershwin, Irving Berlin, Cole Porter and Jule Styne.
Urbane, witty, incisive, and, sometimes, sentimental, Cole Porter's music brought a true sophistication to the Hollywood movie musical. Kate Cole's influence proved stronger, and Porter received considerable musical training as a child.
top performers in vaudeville, she would often imitate the singers and sometimes say she could sing better than the high-priced talent she had seen.
“No matter,” Wilder concluded, “It was a big hit, and one of the worst songs Porter ever wrote, both words and music. Porter later joked, according to Schwartz, that as he waited for help, he took out his notebook and penned the lyrics for “At Long Last Love.” Albeit jocular, he was badly injured. during the stage show. In 1917 Porter was in France, and for some months during 1918-1919 he served in the French Foreign Legion. He was also a truly talented creator of original melodies. It's not just a matter of breath; it's a matter of power in the diaphragm.
Porter remarked at the time, as quoted by Mordden, “Polished, urbane, and adult play-writing in the musical field is strictly a creative luxury.” Badly rattled by this latest setback, he once again focused on lyrics that would be more accessible to audiences. Rosalie (includes “In the Still of the Night” and “Rosalie”), 1937.
Cole Porter, Overtures and Ballet Music: Within the Quota, EMI/Angel, 1991. Encyclopedia of Lesbian, Gay, Bisexual and Transgendered History in America. In any gathering of showgoers, merely to mention a Merman show was enough to touch off a wave of nostalgia in which people began recalling - perhaps even singing - her hits. Paris and Venice—for much of the next two decades. 11 Aug. 2020 . When she learned that the part was to be given Forte, Allen, "Secrets of Melody: Line and Design in the Songs of Cole Porter," Musical Quarterly, vol. Anything Goes 1989 London Cast Recording, First Night/Koch, 1993. Kimball, Robert, and Brendan Gill, Cole, New York, 1971. He again attempted a formal study of music, briefly taking classes in orchestration and counterpoint at Paris’s Schola Cantorum. When he enrolled in prep school at the age of 14, his mother told the school that he was 12, perhaps to make him seem more precocious, as his biographer Charles Schwartz suggests. Cole Porter Centennial Gala Concert: Recorded Live in London, Teldec, 1991.
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