sundance documentaries 2020

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In your fundraising strategy, you should clearly distinguish between funds you have applied for and funds you have already secured. First-time feature directors as well as midcareer artists are encouraged to apply. The Documentary Edit and Story Lab supports filmmakers with nonfiction feature films in post-production. Producer: Lauren Capps Rosenfeld, Inventing Tomorrow As with “Catfish,” the specific nature of the production only added to its ability to provoke meaningful debate about the porous nature of authenticity in the modern age. Grant Opportunity:

If the lineup of the 2020 Sundance Film Festival, held earlier this winter in Park City, Utah, is any indication, true crime is hotter than ever. discover and develop work from new artists. Offering resources for writers developing episodic content. Producer: Monique Walton, Jolene Pinder. Sundance Institute’s Art of Nonfiction Initiative is made possible by founding support from Cinereach. The stories told across Park City at the start of each year may not have been programmed with trends in mind, but they often signal the acceleration of aesthetic or cultural developments. The proposal should clearly articulate a potential direction for the project and ask questions that would indicate a layered and nuanced approach. I am making a movie based on true events. Deborah Stratman, 2016 Sundance alumni Director: Marilyn Ness We will not consider segments of different projects on one reel as the directing sample. You do not need any prior funding or a fiscal sponsor in order to apply. What is a distribution/marketing strategy? Some of the best movies at Sundance are looking to change the way stories are told. Sign Up: Stay on top of the latest breaking film and TV news! & H.G. This application is open to filmmaking teams based in the U.S. The Sundance Institute Film Music and Sound Design Lab brings together eight filmmaking teams in post-production (four fiction projects and four nonfiction projects) with eight emerging film composers, along with Skywalker sound designers, in the spirit of experimentation. Gun Violence PreventionKendeda’s Gun Violence Prevention program seeks to unite unexpected partners around replicable strategies for long-term change, building on creative community-led efforts to find new, productive pathways toward a less violent society. Producers: Lauren Rosenfeld, Bernardo Ruiz, Inventing Tomorrow Director: Cody Lucich Producers: Maria Cuomo Cole, Lori Cheatle, Projects in Production:A Journey Into the Storm If you have multiple prior works or several co-directors, please select one previous work which best reflects the vision for your new documentary. Independent filmmakers making cinematic nonfiction films anywhere in the world are welcome to submit project proposals. All rights reserved. Development (up to $15,000):There is no reel required with an application, but access to location and characters must be confirmed.

Director: Alex Pritz NOTE: DFP does not charge an application fee. My project is finished. Grant Opportunity: Producers: Jessica Devaney, Jacqueline Olive, Awavena
Learn More About the Sundance Institute | Luminate Fund.
Director: Marilyn Ness Participants are trained in audio storytelling by the BBC and spend six months shaping an audio program around a specific theme as well as working on an accompanying short film. Eric Kohn. Amanda Rose Wilder. Lead Artist: Lynette Wallworth By invitation only (by applying to the Documentary Edit and Story Lab you are automatically considered for the Music and Sound Design Lab). Producers: Monique Walton, Jolene Pinder, The Invasion of Rio Bonito Reviewers will only have time to review one sample. Generous additional support is provided by Ford Foundation; John D. and Catherine T. MacArthur Foundation; Skoll Foundation; Luminate; The Kendeda Fund; Science Sandbox/Simons Foundation; The Charles Engelhard Foundation; Genuine Article Pictures; CNN Films; Cinereach; National Endowment for the Arts; John S. and James L. Knight Foundation; Bertha Foundation; Compton Foundation; Nion McEvoy & Leslie Berriman; Joan and Lewis Platt Foundation; Elkes Foundation; Code Blue Foundation; Vulcan Productions; WNET New York Public Media; Adobe; EarthSense Foundation; J.A. People, Place, and PlanetKendeda’s People, Place, and Planet program envisions well-being for all within the ecological means of the planet. Engagement campaigns are distinct from distribution, which puts films on screens, and from marketing and outreach, which alerts viewers to see films. We focus on the values of art, reach, and change by encouraging excellence and experimentation in form, championing underrepresented voices, facilitating the strategic distribution of grantee projects where needed, and supporting the social and creative impact of the work upon release. Director: Kim A. Snyder Directors: Anjali Nayar, Hawa Essuman Unfortunately, we are unable to respond to inquiries about our application process via telephone or Skype. To take best advantage of the lab, teams should be at a place in their edit at which creative exploration with trusted advisors will advance their project and bring a greater clarity of vision. We convene networks and communities of artists, industry, and supporters committed to advancing women behind the camera at our annual Sundance Film Festival Women’s Brunch and through special events throughout the year. Director: Margaret Brown, You Were My First Boyfriend Banksy’s directorial debut about eccentric street artist Thierry “Mister Brainwash” Guetta surfaced as a surprise Sundance screening riddled with uncertainties. Note: Only one application should be submitted for each project. How long does my completed prior work have to be? London. May I send in someone else’s work as my completed prior work? No. The review process is highly competitive. Akicita- The Battle For Standing Rock What are some specific examples of films you have funded? First-time filmmakers are eligible. Sky Hopinka. Despite its morbid connotations, “Dick Johnson” also offers some measure of hope for desperate times — it’s a lively rumination on the notion that everyone’s doomed, so living in the moment is the best way to go. The Kendeda Fund | Sundance Institute fund provides non-recoupable grants to documentary, narrative, or emerging media projects exploring gun violence prevention and the environment. We accept feature-length (52 minutes or more) nonfiction projects. Artists, Writers, Filmmakers Among Sundance Institute's 2018 Art of Nonfiction Fellows and Grantees, Robert Picture-locked cuts are also ineligible for post-production funding. Please check back in fall of 2020 for more details on the 2021 fellowship. In her new role, Jackson will oversee the … If my proposal is declined, what are the chances my project will be accepted if I reapply? Director: Karl Malakunas The Documentary Fund is accepting submissions until June 29, 2020, at 11:59 p.m. PDT for the Winter 2020 grant cycle. In addition to grants and broadcast license agreements, you might include private donations, in-kind support, crowdsourcing, producer investments, and fundraisers. Should you choose to re-apply, please apply online with a brand-new application. Our staff can be found attending forums and festivals around the globe in the hopes of connecting with filmmakers and artists, and we are always available via email at dfp@sundance.org. Unfortunately, we have a very limited staff and are unable to provide feedback to all applicants.

CEs are selected to provide technical and creative support on-site. Copyright © We can only consider proposals written in English, accompanied by a budget translated into USD, and visual material in English or with English subtitles or transcript. and more. Any items in your cart will be returned. The A&E Brave Storytellers Award is offered by A&E Indie Films, the award-winning feature documentary production arm of A+E Networks—a beacon for world-class documentary filmmakers and a trusted collaborator in creating critically acclaimed content with unprecedented access to remarkable stories. Producer: Djuan Fox, Akicita- The Battle For Standing Rock Learn more. Kevin B. Lee & Chloé Galibert-Laîné Sundance Institute, All Right Reserved. Yes. Projects that have not yet secured characters or subjects, are unable to articulate a story or structure, or are unable to explain the project's driving central question are discouraged. “The Nest” One of the stories of Sundance 2020 was long-awaited sophomore films from Sundance breakouts like Benh Zeitlin, Justin Simien, and Sean Durkin, who finally brought Park City his follow-up to “ Martha Marcy May Marlene.” While most of them disappointed with sophomore slumps, Durkin most definitely did not. At each lab, filmmakers work intensively with advisors and staff in a spirit of experimentation to advance their projects and nurture their creative instincts in a rigorous and supportive environment. (Projects for which the director is also the editor will also be considered.). The Sundance Institute Documentary Film Program is made possible by founding support from Open Society Foundations. However,  the 2010 movie was groundbreaking in its ability to embody the slippery nature of social media in its very storytelling. If I receive a grant from Sundance Institute Documentary Fund, will my film screen at the Sundance Film Festival? Advising and nurturing independent film's creative producers. Through our non-recoupable grants and artist support opportunities, we seek to engage with fresh voices and veterans in the field who are pursuing financially viable nonfiction projects with clear and forward-going storytelling, strong artistic vision, and the potential to reach an audience.

No. If I receive a grant or award from another source, am I still eligible to apply for Sundance Institute funding? No. The Documentary Fund is accepting submissions until June 29, 2020, at 11:59 p.m. PDT for the Winter 2020 grant cycle. Learn more, Women at Sundance is a multifaceted initiative dedicated to creating gender equality in American media. These are non-recoupable grants, with the filmmaker retaining all rights to the project. Director: Elizabeth Unger The Sundance Institute | Kendeda Fund partnership offers granting and impact convenings aimed to change the way independent artists, influencers and the general public think about urgent contemporary issues. The reel should convey the narrative and aesthetic approach for the final film. the last 35 years, the Sundance community of independent creators is more far-reaching and vibrant than ever before. How will I know if the fund has received my proposal? If I receive a grant, what are the terms of the contract? Omar Mullick and Bassam Tariq. Other than the work-in-progress sample and the completed prior work sample, are there any other video clips or samples I need to provide? ), Alex Rivera and Cristina Ibarra (The Infiltrators), Petra Costa (The Edge of Democracy), and Yance Ford (Strong Island). The lab is an eight-day residential retreat held in July at the Sundance Mountain Resort in Provo, Utah. Series and feature-length nonfiction projects in early development. Grants aim to support new work on the subjects of gun violence prevention and the environment. Not all films are necessarily suited for social engagement. Sundance programmers embraced these questions while washing their hands of responsibility: Both “Catfish” and “Exit Through the Gift Shop” screened out of any official documentary sections, leaving the specifics of their production up to pervade conversations around the festival. Eligibility

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