Those thoughts sprung up Wednesday night at the opening of Die Zauberflöte at the Metropolitan Opera House, and stayed for the duration. The Three Ladies were played by Gabriella Reyes, Emily D’Angelo, and Maria Zifchak.
This abridged, English-language presentation for families launched the Met`s Live in HD series of movie-theater transmissions and appeals to music lovers of all ages. All is well, everyone is thankful, and they watch the sunrise together. Tickets go on sale to Patrons October 12 at 10AM. His demeanor was mostly implacable throughout the evening, the only thing that seemed to draw anger from him was the hellish passion of the Queen of the Night who had just finished her famous aria. Production sung in german before to be sung in english in november and december.. More information is available on the official website of the opera house. Her rendition of the act 2 aria “Der Holle Rache kocht in meinem Herzen” was electrifying due to Lewek’s malevolent coloratura full of skillful vocal runs and sharp, high F’s. Nathan Gunn’s Papageno made for a delightful foil; through the night he was physically dynamic, yet Gunn retained the vocal support which made his singing as colorful and convincing as his acting. Another symbolic highlight came when Papageno struggled over whether or not marriage was worth the risk of dying through his trials; the doorway they entered from was a circle inside a triangle inside of a square, which is a symbol of trying to solve an impossible task, such as squaring a circle. There is no other way than experiencing it your self. Page Navigation for: But what is 'The Magic Flute' all about? The Magic Flute—Holiday Presentation. Golda Schulz made a notable Met debut as Pamina. As mostly-unseen agents of darkness, it was fitting that they were depicted as owls through their costumes, which featured detachable heads; during moments when these heads were carried about by extras to give the impression of swooping and surrounding, the pointed caps atop the ladies’ heads gave them the silhouette of a crayon. A cast of standouts comes together to bring the charming story and enchanting music to life, led by tenor Matthew Polenzani as the courageous Tamino and soprano Hera Hysesang Park as the virtuous Pamina.
This is because Mozart, like Greene, made pieces that are both entertaining and reach deep into the heart and mind. Audience of all ages will undoubtedly find much to enjoy from this ambitious yet rewarding production of one of Mozart’s most meaningful operas. Photo: Richard Termine. Jane Glover conducts. This production of “The Magic Flute” bills itself as one for families and children, and Taymor’s production succeeds in not only cleaning most of the grittiness from the work, but covering in holiday wrapping paper layer upon layer of symbolic and dramatic meaning. Opera Online, the opera lovers' web site. Yet entertainments like The Confidential Agent were themselves full of deep and often heart-breaking explorations of the human condition. In the role of Sarastro, Morris Robinson’s authority was made clear not only through his imposing figure, but for the sheer arresting gravity of his bass. While he gave a strong performance as Tamino, Castronovo’s current voice seems almost too big for the role, with a weight, color, and fervor that seems perhaps better suited to 19th century repertory. His aria “In diesen heil’gen Hallen,” felt as if he were trying to undo the emotional damage done upon Pamina by filling the air with calm stability, and the repetitions of his closing phrases were successively deeper, as if trying to pull her away from the fear caused by Lewek’s violent vocal heights. Taymor’s puppets (designed with Michael Curry), the Hockney-esque costumes, the mix of elements from Kabuki, Chinese opera, and faux-Egyptology, and George Tsypin’s eminently rational circle-in-cube set all give this story about magic all the props and prestidigitation it needs, without any clutter self-conscious revisionism or postmodern irony. Though Tamino can come off as a square, one-dimensional hero, Castronovo’s singing carried an outsized weight of emotion. All that followed was notable for how natural it sounded, from the tenderness of “Bein Männern welche Liebe” to the drive and intensity underneath Lewek’s arias. Another brilliant review. Niantic, CT. Love from here! The Magic Flute This delightful performance of the Met’s abridged, English-language version of Mozart's enchanting fairy tale returns to cinemas this holiday season. A magical evening. After securing Tamino’s services, a beat from the orchestra saw Lewek sharply pivot in mood while turning to make a highly-successful exit. His passion for storytelling has led to opportunities studying under Broadway luminaries as he strives to take his work to ever-higher levels. ", Subscribe to the Classical Post Newsletter. I mean, what can you add to that? For this, Morley drew tremendous applause which did not wait for the orchestra to finish the closing measures. A cast of standouts comes together to bring the charming story and enchanting music to life, led by tenor Matthew Polenzani as the courageous Tamino and soprano Hera Hysesang Park as the virtuous Pamina. Congratulations Kathryn! Select a date from the dropdown to filter cast by date of performance. The Queen sings her famous aria, "Der Hölle Rache", which translates as "A hellish rage burns in my heart.". A delightful fairy-tale adventure that teaches powerful lessons about love, friendship, and brotherhood, The Magic Flute—the Met’s abridged, English-language adaptation of Mozart’s Die Zauberflöte—can be appreciated by operagoers of all ages. This production by Julie Taymor is notable for its English translation, abridged running time, and opulent presentation; these features concentrated the drama and allegorical meaning which would unfold in the hands of the company’s cast of artists. But what is 'The Magic Flute' all about? Seeing Papageno try to flee and run up the circle like a hamster on a wheel was humorous in a way that was not highbrow so much as it was esoteric.
© 2020 Minnesota Public Radio. Tamino and Pamina meet again, but because he is not allowed to speak, Pamina fears Tamino no longer loves her. 10 Responses to “Inspired cast gives Met’s beloved “Magic Flute” a glorious revival” Posted Sep 28, 2017 at 2:40 pm by Virginia M Lewis. He faints but is saved by three ladies who are the attendants of the Queen of the Night. Tamino vows to rescue Pamina. Enough!” when stopping Papageno from hanging himself ended up being washed over by the orchestra. I recommend this production to everybody. Just returned from a cinema broadcast of The Magic Flute. While clearly manifest, the more serious overall themes charm in direct proportion to the entertainment that surrounds them.
This revival of Julie Taymor’s production, which debuted in 2004, has grown only more wonderful, spectacular, and meaningful with the years.
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