It was for cathedral choirs (of boys and men’s voices) that he wrote his music. W hile Thomas Tallis's 40-part motet Spem in Alium is rightly regarded as one of the peaks of late renaissance polyphony, the works that provided … While this compiled disc of English and Latin motets by Tallis is well-sung and recorded, it doesn't really hang together as something I want to listen to all at once. Please try again. Unable to add item to List. Interestingly “Discomfort them, O Lord”, originally to a Latin text, acquired the English words as a response to the threat of the Spanish Armada – by which time Tallis was three years dead. The three English settings were composed post-Henry VIII’s reign when Edward VI had banned music to Latin texts. There's a problem loading this menu right now. While I found all of Tallis' music on this album to be compelling, Spem in Alium is an exceptionally beautiful, intricate piece that is full of mystery (in the religious sense). Although there is the question as to why there are no Tallis recordings from these magnificent cathedral sources to mark his quincentenary year, it must be stated that, on this recording, the members of Oxford Camerata excel themselves in the Latin and English texts, with superb enunciation and expressive capability. This ability of Thomas Tallis to rise above the turmoil of his times is reflected in the glory of his music. No. The rest of the pieces are more intimate. These cookies do not store any personal information. These cookies will be stored in your browser only with your consent. Your email address will not be published. The even more authoritarian reigns of Edward VI (a keen Protestant) and Mary Tudor (an even keener Catholic) eventually led to the somewhat calmer times of Elizabeth I. Not content with trios, quartets or quintets of voices, in Spem in alium Tallis took the already elaborate style of Renaissance polyphony and wrote a motet for 40 independent voices. In fact, Tallis seems to have been the ultimate pragmatist. This CD includes the 40-part motet “Spem in alium” and two other ambitious creations, the “Missa Salve intemerata” and, pre-dating it, a motet similarly named, a continuous work of over 20 minutes duration, a length unparalleled at the time.
Learn more about the program. Tallis, Thomas: I-Catalogue Number I-Cat. Reviewed in the United States on January 25, 2019. Discover releases, reviews, track listings, recommendations, and more about Thomas Tallis - The Tallis Scholars, Peter Phillips - Spem In Alium at Discogs. Comment document.getElementById("comment").setAttribute( "id", "afe238f7ab75842ee72c08e92dcbab46" );document.getElementById("f391fa4dad").setAttribute( "id", "comment" ); Save my name, email, and website in this browser for the next time I comment. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Necessary cookies are absolutely essential for the website to function properly. On this Naxos recording, Jeremy Summerly takes a beautifully measured pace, adding four or so minutes to most contemporary accounts. You have to return to Michael Tippett’s post-war recording for a similar time-span. Why then should we tolerate mixed choirs in this repertoire when there is such a plentiful supply of ‘authentic’ choirs? It is mandatory to procure user consent prior to running these cookies on your website. ITT 17 Movements/Sections Mov'ts/Sec's: 1 Year/Date of Composition Y/D of Comp. She was enthralled listening to it on a simple stereo system but was also frustrated at not being able to hear each part of the forty-part harmony separately. Perhaps the composer who possessed the same skill as Tallis for survival in Nazi Germany was Karl Amadeus Hartmann, whose centenary is celebrated this year. Music is a means of expression and 20th-century composers have used their musical gifts to voice their innermost feelings. Where did his heart lie? We also use third-party cookies that help us analyze and understand how you use this website. While none of these thirteen pieces can be dated with absolute surety, a notable exception is the psalm tune "God Grant we Grace" written in 1567; it is a simple four-part setting. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. The recording itself is wonderfully balanced sonically with excellent dynamics and depth (hugely difficult with the eight five-part … If the year of Tallis’s birth and his birthplace are uncertain, what is not in doubt is his capacity to have survived as a member of the Chapel Royal through five reigns (if the ill-fated Lady Jane Grey’s tenuous few days as monarch apparent is included). This release is available in a Limited Edition presentation, which includes a bonus CD entitled “Early Sacred Classics”. Today his standing has never been higher and 2005 celebrates his quincentenary.
A celebration of the Vernal Equinox in much-cherished choral treasures of the English Renaissance crowned by Tallis’s resplendent 40-part motet Spem in alium. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in.
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